Case in progress

Manos de Guerrero: the partnership architecture we are already proving on the ground

With New Ventures, Fomento Social Banamex, and Government of the State of Guerrero

Costa Chica, Guerrero Updated

Four Nahua artisans from Zacualpan weave side by side during the workshop; two of them wear white huipiles embroidered with flowers

What is Manos de Guerrero?

Manos de Guerrero is the partnership that activates the value chain of Guerrero’s folk art, operated alongside New Ventures, Fomento Social Banamex, and the Government of the State of Guerrero. Héroes Digitales joined as a field partner contributing what it brings to every community: the connectivity that makes digital training possible.

It is the same architecture we use to sponsor a connectivity hub: a territorial partner that opens the door, a patron that funds, a public institution that validates, and a program rooted in its craft.

Who participates?

The program is aimed at women artisans between the ages of 20 and 50 from semi-urban and rural communities in Guerrero. They combine their craft with farming or informal trade, use WhatsApp to talk with clients, and face three shared challenges: unstable income, low visibility beyond their community, and limited access to the digital tools needed to sell.

This edition reached 623 artisans across three municipalities:

  • Tlacoachistlahuaca · Municipal Auditorium · April 17
  • Ometepec, Zacualpan community · Commission Court · April 18
  • Xochistlahuaca · Central Auditorium · April 19
Panoramic view of the central auditorium of Xochistlahuaca with hundreds of artisans attending the workshop
Xochistlahuaca · Central Auditorium at full capacity (April 19)

How does the model work?

Manos de Guerrero combines three components:

  1. In-person workshops in each community: the moment of contact, where fear of the screen is broken and WhatsApp Business accounts are opened with human guidance.
  2. A 9-week digital microlearning track: short videos, audios, and infographics consumed from the phone, without interrupting caregiving and work routines.
  3. Closing events and commercial linkage: the step from “I learned” to “I sold.”
Two women review a mobile phone together during a digital literacy exercise
Tlacoachistlahuaca · Using the phone as a sales tool

The program has Jacinta, a virtual assistant that lives on WhatsApp: she answers questions, shares program content, accompanies the learning process, and works even when artisans have limited internet access.

Laptop screen shows the QR code to activate Jacinta, the virtual assistant of Manos de Guerrero, on WhatsApp
Tlacoachistlahuaca · Jacinta, the virtual assistant that lives on WhatsApp

Why was connectivity part of what Héroes Digitales contributed?

Manos de Guerrero depends on WhatsApp and digital content for ongoing training. Without connectivity during the in-person workshops, it was hard to show the content, explain how to use Facebook or WhatsApp Business, register participants on digital platforms, and demonstrate the chatbot.

Bringing satellite connectivity into the three venues wasn’t an add-on: it was the enabling condition for the rest of the program to happen the same day. It is the same Pillar 1 we activate in any rural school, applied this time to an artisan’s workshop.

And it didn’t end that day. Héroes Digitales installed the equipment and keeps operating and maintaining the connectivity at the venues, so access stays available long after the workshop closed. That is the difference between a one-off intervention and a change that stays.

Coverage

unconnected.org, the organization that negotiates satellite access, documented this deployment on its blog: how connectivity made a nine-week program for 623 women artisans possible. It quotes Sergio Hermosillo, founder and director of Héroes Digitales, on why the work does not end once the antenna goes up.

Why does this case matter for the model?

The Foundation’s canonical document states that we never enter a community alone: we always arrive hand-in-hand with a territorial partner that already generates impact there and is trusted by the local community. In Guerrero, that partner is New Ventures.

Opening panel with municipal authorities, facilitators, and New Ventures representatives in front of the audience
Zacualpan, Ometepec · Institutional opening with local authorities (April 18)

Manos de Guerrero makes that architecture explicit. It is not just another program: it is the live demonstration of how, when partners align in the same territorial deployment, a community changes its real capacity to generate income without having to migrate.

If your organization wants to join this architecture (by sponsoring connectivity or weaving a similar partnership in another state), reach out.

Gallery

Tlacoachistlahuaca

  • Manos Creativas workshop facilitator stands in front of the institutional banner showing the logos of Manos de Guerrero, Fomento Social Banamex, and the Government of the State of Guerrero
    Welcome to the Manos Creativas workshop (April 17)
  • Group photo of artisans and facilitators in front of the Manos de Guerrero banner at the end of the workshop
    Part of the cohort at the close of the first workshop
  • Artisan from Tlacoachistlahuaca holds up a huipil hand-embroidered with multicolor flowers and geometric figures
    Hand-embroidered huipil by a workshop participant
  • Young facilitator walks an elder artisan with an embroidered huipil through the workshop materials
    One-on-one coaching
  • Volunteer seen from behind wearing the official program shirt with the logos of Fomento Social Banamex and the Government of the State of Guerrero
    The volunteer shirt holds the full alliance in one image

Zacualpan, Ometepec

  • Three people embroider colorful textiles holding the materials in their laps during the workshop
    Embroidery in action during the workshop (April 18)

Xochistlahuaca

  • Audience of artisans enters the venue while the Manos de Guerrero, Fomento Social Banamex and Government of Guerrero logos are projected
    Opening of the workshop in the Amuzgo municipality (April 19)
  • Two women in traditional huipiles pose together at the close of the workshop
    Volunteer and artisan, same fabric
  • Young woman models a red embroidered huipil under the adobe archway of a colonial doorway
    The red huipil, signature garment of the Amuzgo municipality
  • Row of hand-embroidered huipiles displayed for sale on a street in central Xochistlahuaca
    Amuzgo textiles at the local open-air market